PANTEA LACHIN @ ATOMIC PLATONIC ORCHESTRA

THE ATOMIC PLATONIC ORCHESTRA IS GRATEFUL TO VISIT THE UNIVERSAL ISLAND FULL OF SENSITIVE UNIQUENESS REACHING US THROUGH PANTEA LACHINS PERSONAL LANGUAGE OF ART, FILM AND HER  SPACE OUTSIDE PLUTO.

PANTEA HAS BEEN ENTERING MY LIFE ONE YEAR AGO AND WE ARE NOT ONLY CLOSE IN SPACE AS SHE IS MY NEIGHBOUR BUT ALSO FIND OUT WE MUST HAVE KNOWN EACH OTHER FROM ANY OTHER TIME OR SPACE BEFORE…

PLEASE VISIT HER ISLAND: PANTEA LACHIN.

WATCH HER MOVIE: http://pantealachin.com/Breeze.html

PANTEA HAS JUST FINISHED A FILM ON NATURE. THE FILM IS CALLED BREEZE. I HAD THE OPPORTUNITY TO SEE IT BEFORE SOMEONE ELSE AND CANNOT WAIT TO SEE IN THE EXHIBITION. PANTEA WILL BE COMING TO KEFALONIA.

FOR NOW SHE IS SHARING HER SYNOPSIS OF THE MOVIE WITH US.

THANK YOU, PANTEA.

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SYNOPSIS OF THE MOVIE

BREEZE, 2016
A film somewhere between photography, soundscape and documentary. Everything revolves around life and its related movements. The protagonists are sound waves, water, the earth and particularly the moving air. A pitch dark tree in the forest, standing there like an installation to the sounds of distorted frequencies. Shots ring out on a green lake. Waves are at play with a bottle. Plastic covered leaves dance in the wind with a quiet murmur. A river hums a tune and moves along rhythmically. A tractor chatters across a field. At the end a fawn is standing on the freshly moved lawn and suffers. It’s as if we were watching from the point of view of an extraterrestrial, who encounters a bizarre world. The static camera extracts scenes whose here and now seem like an amalgamation of the past and the future. Lonely places where man appears periodically and leaves behind more than just acoustic traces. The film plays with complex connotations that elude any explanation—their enigma is conveyed through concise audio-visual impressions rather than through a narrative. Associative images roam the world–with shots from Iran, India and Germany–without us being able to guess our whereabouts. The breeze takes us by the hand and is on our side every step of the way. The wordless auditory world is constructed down to the last detail. Each movement has its own iconographic language and everything seems to communicate. A film experiment that allows our imagination to run wild as there is ample room for interpretation. That way everyone can alternate between the role of audience and author of his or her own story. The screen manifests itself as a projection surface in several aspects.

 

 

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